5. Wet or dry sandpaper (600, 800, 1000, 1200, 1500), to wet sand between coats.

6. Very fine polishing liquids or pastes, Novus 2 is the favorite among lacquer users, and,

7. A good 'full size car's' wax.

1.- Prepping for lacquers
First of all, you must do all the filling and puttying work and then wash all the parts with dishwashing detergent. Let air dry everything and you are ready for the primer. I would recommend wearing rubber gloves because the cotton ones leave a lot of fuzz. Once the parts dried you will proceed with the primer.

I always thin the primer in a 40-60 ratio (40% primer and 60% thinner).

The first coat must be 'misted' from a distance of 20cm., that will take care of the 'etching' problem common to all lacquers. Le it dry for 20 minutes and apply the second coat, although this time a little 'wetter'. Let the parts dry for another 20 minutes and lightly sand with #600 wet or dry sanding paper and water.

For all the sanding processes I always use a plastic container big enough to soak the parts in. Rinse everything and let dry for an hour; after that time, apply two more coats and wait for another hour before sanding the parts with #600 sandpaper. By this time you should have a perfectly smooth surface ready to receive the first color coats.

Brush

It is very important not to press too hard while sanding because this would take away the primer and leave the plastic exposed. Remember that these primer coats serve not only as a base for the paint, but as a barrier against the 'etching' vice common to all lacquers. Rinse everything and let dry. I always insist on 'letting dry' because if we dry the parts with a cloth, or other means, we have to rub the surface and that will create some static which will attract dust to the surface. This procedure is good for any kind of primer although, as I've mentioned in the materials paragraph, I highly recommend the VARIPRIMER; you can apply this product directly over the plastic surface with absolute confidence. Once the priming operation is finished, we'll let everything dry for 24 hours.

2.- Applying the lacquer
Now we are ready for the painting itself. We'll thin the lacquer in a 50-50 ratio (50% lacquer and 50% thinner) and apply three light coats, this will help us to create a barrier for the successive coats. Let the paint dry for half an hour between coats to give time enough for the lacquer to 'gas out' the solvents. Don't spray successive coats of lacquer in a short period of time because solvents continue to build up with the consequent risk of ruining the plastic. If the lacquer tends to 'string' or dry before it hits the surface, add more thinner. Remember that lacquer dries from 'outside in', so it may be dry to the touch but it is still wet on the inside. After the drying time, lightly sand the surface with #600 sanding paper (wet) in order to get rid of the dust particles and the 'orange peel' effect

Now we'll apply three or four coats, these coats will be heavy enough to give some gloss to the surface, and should be shot at 30 minute intervals. These coats will 'even' the color. Wait for another couple of hours, sand the surface with #800 sanding paper and plenty of water, rinse everything and let dry. The final coats are the wet coats, although this time we will thin the lacquer in a 40-60 ratio (40% lacquer, 60% thinner) and lower the compressor pressure to 17-18 lbs. We are going to apply three coats with an interval of 30 minutes between each coat, to let the solvents evaporate before adding the next coat; the wet coats will leave a shiny surface almost ready for the polishing process. Let everything dry for another day.

At this time of the process the model has about three coats of primer and nine coats of paint, that will sound like a lot of paint, but remember that we've been sanding between coats and that takes some paint away. Before going on with the polishing process I must remind you not to get carried away and put on more coats than the recommended, remember that each coat adds an important amount of solvent with the risk of the solvent eating through the previous coats and find its way to the plastic.

This name for the concept would see wider use in the D&D community, eventually appearing in (1996) as 'Spell Points'.#2 (Summer 1975) published a rules clarification, asserting that each memorized spell can be cast only once.
Spell point variant 5e dmg
Under OD&D rules, one turn lasted ten combat rounds, or ten minutes out of combat. In a later issue of APA-L, a player named Hilda Hannifen suggested reducing this to one point per hour.In APA-L #522, the same issue which introduced a system for, gamer John Hertz used the term spell-points. Many players rejected this clarification.

3.- Polishing and waxing
At this point, we have spent three days and we are ready for the final polishing. We'll begin wet sanding every painted surface with #2000 sanding paper. This sanding stage is very important because it leaves the surface absolutely smooth and ready for the final rubbing with Novus 2 polish.

If you can't find this product in your local area, you can use any polishing paste intended for acrylic materials, or small amounts of regular white toothpaste applied with a wet piece of cotton cloth; remember the 'old' cotton T-shirts?, here is where this material will show its 'value'.

Once you have everything polished and shiny, we must wash and dry everything. Now is the proper time to apply all the decals over the painted surfaces and let them dry for a couple of days. Lastly, give the surface a good waxing job (decals and all), relax, and admire your work.

Bodies painted following these techniques: Protar's Ferrari 126C2, 1/12 scale and Tamiya's Benetton B192, 1/20 scale

I don't want to finish this article without mentioning the LMG Enterprises polishing kit, very well known among modelers throughout the USA. It consists basically of several abrasive cloths in #1800 through #12000 grits, (with the same function as the sanding paper that I've mentioned at the beginning of this paragraph), a rubber sanding block, a piece of flannel and two 1 oz. liquid polish bottles. Properly used these sanding cloths leave a very shiny and smooth surface. If we use this kit, we must begin with the lower numbers (1800, 2400, or 3200) and finish with the highest one (12000). The next number cloth takes away the fine scratches left by the coarser grit; this will leave the surface smooth and ready for the decals and the wax job.

Reflections on lacquers
Once you learn how to neutralize the 'etching' vice common to all lacquers, you will see that this paint produces a first class finish. I think is very important to try all that has been written here in an extra piece of plastic (an old kit that you're not going to build) in order to avoid any 'unpleasant' surprises. Remember that there are not two modelers alike and we always develop our 'own' ways to do things; this is just my 'personal' way and it works for me, but I sure hope it works for you too.

So, don't be afraid to use this kind of paint because I'm sure that as soon as you'll learn how to use it, you will love its shine and hardness beyond any comparison.
I wish this note will be helpful enough to those of you who don't use this paint, but would like to, and encourages you to give it a try, I assure you that you won't regret it.

Happy painting.

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Most people are unaware that exceptional finishing results can be achieved with a tool as simple as a brush. However, you must match the correct brush to the finish and the task at hand. Good quality brushes are well worth their price and last indefinitely if properly maintained.
Natural China Bristle Brushes – The traditional brush for varnish and oil based products, they are also great for applying shellac and lacquer. Not recommended for water base products.
OMEGA LILY OVAL VARNISH Made in Italy, this premium brush is manufactured from the finest white china bristle and has a sculpted, well-balanced lacquered beech handle. Not only is it pretty to look at — it’s a pleasure to hold. It’s set into a nickel ferrule. This brush has about double the thickness of a conventional brush so it’s perfect for flowing on finishes like varnish, oils, lacquer and shellac. For interior varnishing of household trim, this brush is unequalled as it holds an incredible amount of finish and the chisel edge cuts in extremely well.
#2112 – 1½” $31.00
#2114 – 2″ $42.00
OMEGA LILY FILBERT VARNISH Similar to the brush above but less thick and more of a standard chisel profile. Just about the perfect brush for general lacquer, shellac and varnish. The slightly rounded edges make it easy to use on profiles. Lacquered wood handle, nickel ferrule and incredibly fine white china bristle made by the legendary Omega Brushworks in Italy.
#2056 – 1½” $27.00
#2057 – 2″ $31.00
Synthetic Bristle Brushes Use for water based stains and topcoats. These brushes are also great for lacquer and shellac. They clean easier than natural bristle brushes. Note: The Athena Golden Taklon brushes have a stiffening size which keeps the bristles in shape during shipping. Remove this size before use by running under warm water before using with waterbased finishes. For solvent finishes the size can be removed with denatured alcohol. The Homestead Deluxe Golden Taklon has no size.
HOMESTEAD DELUXE TAKLON This synthetic brush is the best brush we’ve ever used for waterbase finishes and shellac. This Taklon filament is made under extremely tight processes which produces a filament that is extremely smooth. This makes this brush one of the easiest brushes to clean that we’ve ever used. Our manufacturer uses an unfinished wood handle and a metal water-resistant ferrule. A fine chiseled edge allows precise application of finish in corners. If you’ve ever had problems brushing a waterbase or shellac finish you definitely need to try this brush!
NOTE: Bristles are gold and/or natural (white) color
HOMESTEAD DELUXE GOLDEN TAKLON ROUND TOUCH-UP BRUSHES These brushes are the ones used in my shop. Made with the same quality Golden Taklon bristle used in our larger finish brushes, they form a fine, round tip. Use the #0 and #2 for fine detail like painting grain lines. The #4, #6 & #8 are used where a flat finish brush doesn’t work. They can be used with any medium. Can be purchased individually or as a complete set of 5 for $15.00 (15% discount) #HSTU-SET
Homestead #0 Round – $2.95 ea

Water Based Stain Brush

Homestead #2 Round – $2.95 ea
Homestead #4 Round – $3.25 ea
Homestead #6 Round – $3.50 ea
Homestead #8 Round – $3.95 ea
#HSTU-SET Complete set of 5 – $15.00

Best Paint Brush For Cutting In